WT: Reshaping the Bell Jar

Quentin Before a Mirror // Lucy Wainger

A sphinx is a woman made
                                                      of parts that are not woman:
           lionheart, wings for skin,
scales falling from the spine and city ruins.
                                                                        Bomb-leveled.
                               Perhaps that is the crossroads’ riddle—
how to shake your head and smile when you are standing in a crater,
      towers quivering, then
                                            collapsing, pipes gurgling at your feet,
bleeding out
                      your reflection.      These things do have a way
            of getting under the skin. Making the blood whir.
As if somewhere inside your body
                                                            you forgot to turn off the stove.
Your heartbeat: And yet. And yet.
                                                       Thick ridges
                                    of scar tissue catching and releasing the light
      like glowing fish—in an abstract sense, you know
                                                                  this is called a wrist,
mottled spider: a hand. Broad planes of flesh
            retreating into a thicket of hair. Somewhere
                                                                                    your name.
 

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